Student Resources

[cs_content][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/2″ style=”padding: 0px;”][x_accordion][x_accordion_item title=”Choosing Your Pieces” open=”false”]

When choosing your pieces…..
1) Be sure to choose a variety of music styles for your exam repertoire (you need four selections).
2) The examiner is also looking for you to play in a variety of keys.
3) You must have at least three different composers in your program.
4) Have a variety of speeds.

Screen Shot 2016-05-19 at 10.04.09 AM

Contemporary Piano Rep. Complete List
Level 1 Contemporary Piano Rep.
Level 2 Contemporary Piano Rep.
Level 3 Contemporary Piano Rep.
Level 4 Contemporary Piano Rep.
Level 5 Contemporary Piano Rep.
Level 6 Contemporary Piano Rep.
Level 7 Contemporary Piano Rep.
Level 8 Contemporary Piano Rep.
Level 9 Contemporary Piano Rep.
Level 10 Contemporary Piano Rep.
 
 

 

[/x_accordion_item][/x_accordion][/cs_column][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/2″ style=”padding: 0px;”][x_accordion][x_accordion_item title=”Ear Training Help” open=”false”]CLASSICAL EAR TRAINING

Level 1
Ear Training Audio Files
Level 1.1 Ear Training by Michael Faulkner
Level 1.2 Ear Training by Michael Faulkner
Level 1.3 Ear Training by Michael Faulkner
Level 1.4 Ear Training by Michael Faulkner
Level 1.5 Ear Training by Michael Faulkner
Level 1.6 Ear Training by Michael Faulkner
Level 1.7 Ear Training by Michael Faulkner
Level 1.8 Ear Training by Michael Faulkner
Level 1.9 Ear Training by Michael Faulkner

Level 2
Level 2.1 Ear Training by Michael Faulkner
Level 2.2 Ear Training by Michael Faulkner
Level 2.3 Ear Training by Michael Faulkner
Level 2.4 Ear Training by Michael Faulkner
Level 2.5 Ear Training by Michael Faulkner
Level 2.6 Ear Training by Michael Faulkner
Level 2.7 Ear Training by Michael Faulkner
Level 2.8 Ear Training by Michael Faulkner
Level 2.9 Ear Training by Michael Faulkner

Level 3
Level 3.1 Ear Training by Michael Faulkner
Level 3.2 Ear Training by Michael Faulkner
Level 3.3 Ear Training by Michael Faulkner
Level 3.4 Ear Training by Michael Faulkner
Level 3.5 Ear Training by Michael Faulkner
Level 3.6 Ear Training by Michael Faulkner
Level 3.7 Ear Training by Michael Faulkner
Level 3.8 Ear Training by Michael Faulkner
Level 3.9 Ear Training by Michael Faulkner

Level 4
Level 4.1 Ear Training by Michael Faulkner
Level 4.2 Ear Training by Michael Faulkner
Level 4.3 Ear Training by Michael Faulkner
Level 4.4 Ear Training by Michael Faulkner
Level 4.5 Ear Training by Michael Faulkner
Level 4.6 Ear Training by Michael Faulkner
Level 4.7 Ear Training by Michael Faulkner
Level 4.8 Ear Training by Michael Faulkner
Level 4.9 Ear Training by Michael Faulkner

Level 5
Level 5.1 Ear Training by Michael Faulkner
Level 5.2 Ear Training by Michael Faulkner
Level 5.3 Ear Training by Michael Faulkner
Level 5.4 Ear Training by Michael Faulkner
Level 5.5 Ear Training by Michael Faulkner
Level 5.6 Ear Training by Michael Faulkner
Level 5.7 Ear Training by Michael Faulkner
Level 5.8 Ear Training by Michael Faulkner
Level 5.9 Ear Training by Michael Faulkner

Level 6
Level 6.1 Ear Training by Michael Faulkner
Level 6.2 Ear Training by Michael Faulkner
Level 6.3 Ear Training by Michael Faulkner
Level 6.4 Ear Training by Michael Faulkner
Level 6.5 Ear Training by Michael Faulkner
Level 6.6 Ear Training by Michael Faulkner
Level 6.7 Ear Training by Michael Faulkner
Level 6.8 Ear Training by Michael Faulkner
Level 6.9 Ear Training by Michael Faulkner

Level 7
Level 7.1 Ear Training by Michael Faulkner
Level 7.2 Ear Training by Michael Faulkner
Level 7.3 Ear Training by Michael Faulkner
Level 7.4 Ear Training by Michael Faulkner
Level 7.5 Ear Training by Michael Faulkner
Level 7.6 Ear Training by Michael Faulkner
Level 7.7 Ear Training by Michael Faulkner
Level 7.8 Ear Training by Michael Faulkner
Level 7.9 Ear Training by Michael Faulkner

Level 8
Level 8.1 Ear Training by Michael Faulkner
Level 8.2 Ear Training by Michael Faulkner
Level 8.3 Ear Training by Michael Faulkner
Level 8.4 Ear Training by Michael Faulkner
Level 8.5 Ear Training by Michael Faulkner
Level 8.6 Ear Training by Michael Faulkner
Level 8.7 Ear Training by Michael Faulkner
Level 8.8 Ear Training by Michael Faulkner
Level 8.9 Ear Training by Michael Faulkner
[/x_accordion_item][/x_accordion][/cs_column][/cs_row][/cs_section][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/2″ style=”padding: 0px;”][x_accordion][x_accordion_item title=”Sight Reading Materials” open=”false”]Piano

Alfred Publishing

Alfred’s Premier Piano Sight Reading 1A
Alfred’s Premier Piano Sight Reading 1B
Alfred’s Premier Piano Sight Reading 2A
Alfred’s Premier Piano Sight Reading 2B

FJH Music Company

Sight Reading and Rhythm Every Day Series

Frederick Harris Music Company

Complete Series of Sight Reading and Ear Books Bennet/Capp (Grade 1-11)

Most of the Canadian sight reading books are good sources of exercises.

Guitar

Robert Benedict

Sight Reading for Classical Guitar Levels 1 – 3

Adam Levy

Jazz Guitar Sight-Reading – Adam Levy

John Kimber

Guitar Sight Reading 1 
Guitar Sight Reading 2

Voice

Nancy Telfer

Successful Sight Singing BK1
Successful Sight Singing BK2[/x_accordion_item][/x_accordion][/cs_column][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/2″ style=”padding: 0px;”][x_accordion][x_accordion_item title=”Improv Materials” open=”false”]American Popular Piano Etudes

Level 1
Level 2
Level 3
Level 4
Level 5
Level 6
Level 7
Level 8

Bass Patterns for Improv

Level 5 – Chord Progressions Classical

How to Harmonize a Melody[/x_accordion_item][/x_accordion][/cs_column][/cs_row][/cs_section][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/2″ style=”padding: 0px;”][x_accordion][x_accordion_item title=”Technique Help” open=”false”]Practice Charts

Level 1 Classical Piano
Level 2 Classical Piano
Level 3 Classical Piano
Level 4 Classical Piano
Level 5 Classical Piano
Level 6 Classical Piano
Level 7 Classical Piano
Level 8 Classical Piano

Technique Books by Andrew Harbridge

Level 1
Level 2
Level 3
Level 4

Level 9 Classical

Scales in Double Thirds Grade 9

 

Technique Practice Charts

Level 1 Classical Piano
Level 2 Classical Piano
Level 3 Classical Piano
Level 4 Classical Piano
Level 5 Classical Piano
Level 6 Classical Piano
Level 7 Classical Piano
Level 8 Classical Piano

Technique Books 

Level 1
Level 2
Level 3
Level 4

Level 1 Technique Midi Files

am_tr.s_L_.MID-2
am_tr.s_L_.MID
am_tr.s_R_.MID-2
am_tr.s_R_.MID
amSc_J_.MID
amSc_L_.MID
amSc_R_.MID
C_Sc_J_.MID
C_Sc_R_.MID-2
C_Sc_R_.MID
C_tr.s_J_.MID-2
C_tr.s_J_.MID
C_tr.s_L_.MID
C_tr.s_R_.MID-2
C_tr.s_R_.MID
D_Sc_J_.MID-2
D_Sc_J_.MID
D_Sc_L_.MID-2
D_Sc_L_.MID
D_Sc_R_.MID-2
D_Sc_R_.MID
D_tr.s_J_.MID-2
D_tr.s_J_.MID
D_tr.s_L_.MID-2
D_tr.s_L_.MID
D_tr.s_R_.MID-2
D_tr.s_R_.MID
em_tr.s_J_.MID-2
em_tr.s_J_.MID
em_tr.s_R_.MID-2
em_tr.s_R_.MID
emSc_J_.MID-2
emSc_J_.MID
emSc_L_.MID-2
emSc_L_.MID
emSc_R_.MID-2
emSc_R_.MID
G_Sc_J_.MID-2
G_Sc_J_.MID
G_Sc_L_.MID-2
G_Sc_L_.MID
G_Sc_R_.MID-2
G_Sc_R_.MID
G_tr.s_J_.MID-2
G_tr.s_J_.MID
G_tr.s_L_.MID-2
G_tr.s_L_.MID
G_tr.s_R_.MID-2
G_tr.s_R_.MID

Level 2 Technique Midi Files

C_Sc_J_.MID-2
C_Sc_J_.MID
C_Sc_L_.MID-2
C_Sc_L_.MID
C_Sc_R_.MID-2
C_Sc_R_.MID
C_tr.s_J_.MID-2
C_tr.s_J_.MID
C_tr.s_L_.MID-2
C_tr.s_L_.MID
C_tr.s_R_.MID-2
C_tr.s_R_.MID
dm_tr.s_J_.MID-2
dm_tr.s_J_.MID
dm_tr.s_L_.MID-2
dm_tr.s_L_.MID
dm_tr.s_R_.MID-2
dm_tr.s_R_.MID
dmSc_J_.MID-2
dmSc_J_.MID
dmSc_L_.MID-2
dmSc_L_.MID
dmSc_R_.MID-2
dmSc_R_.MID
em_tr.s_J_.MID-2
em_tr.s_J_.MID
em_tr.s_L_.MID-2
em_tr.s_L_.MID
em_tr.s_R_.MID-2
em_tr.s_R_.MID
emSc_J_.MID-2
emSc_J_.MID
emSc_L_.MID-2
emSc_L_.MID
emSc_R_.MID-2
emSc_R_.MID
F_Sc_L_.MID-2
F_Sc_L_.MID
F_Sc_R_.MID-2
F_Sc_R_.MID
F_tr.s_J_.MID-2
F_tr.s_J_.MID
F_tr.s_R_.MID-2
F_tr.s_R_.MID
G_Sc_J_.MID-2
G_Sc_J_.MID
G_Sc_L_.MID-2
G_Sc_L_.MID
G_Sc_R_.MID-2
G_Sc_R_.MID
G_tr.s_J_.MID-2
G_tr.s_J_.MID
G_tr.s_L_.MID-2
G_tr.s_L_.MID
G_tr.s_R_.MID-2
G_tr.s_R_.MID

Level 3 Technique Midi Files

A_major_arpeggios.MID-2
A_major_arpeggios.MID
A_major_broken_triads.MID-2
A_major_broken_triads.MID
A_major_scale__jazz_.MID-2
A_major_scale__jazz_.MID
A_major_scale__latin_.MID-2
A_major_scale__latin_.MID
A_major_scale__rock_.MID-2
A_major_scale__rock_.MID
A_major_solid_triads__jazz_.MID-2
A_major_solid_triads__jazz_.MID
A_major_solid_triads__latin_.MID
A_major_solid_triads__rock_.MID-2
A_major_solid_triads__rock_.MID
b_minor_arpeggios.MID-2
b_minor_arpeggios.MID
b_minor_broken_triads.MID-2
b_minor_broken_triads.MID
b_minor_scale__harmonic__latin_.MID-2
b_minor_scale__harmonic__latin_.MID
b_minor_scale__harmonic__rock_.MID-2
b_minor_scale__harmonic__rock_.MID
b_minor_scale__melodic__jazz_.MID-2
b_minor_scale__melodic__jazz_.MID
b_minor_scale__melodic__latin_.MID-2
b_minor_scale__melodic__latin_.MID
b_minor_scale__melodic__rock_.MID-2
b_minor_scale__melodic__rock_.MID
b_minor_solid_triads__jazz_.MID-2
b_minor_solid_triads__jazz_.MID
b_minor_solid_triads__latin_.MID-2
b_minor_solid_triads__latin_.MID
b_minor_solid_triads__rock_.MID-2
b_minor_solid_triads__rock_.MID
D_major_arpeggios.MID-2
D_major_arpeggios.MID
D_major_broken_triads.MID-2
D_major_broken_triads.MID
D_major_scale__jazz_.MID-2
D_major_scale__jazz_.MID
D_major_scale__latin_.MID-2
D_major_scale__latin_.MID
D_major_scale__rock_.MID-2
D_major_scale__rock_.MID
D_major_solid_triads__jazz_.MID-2
D_major_solid_triads__jazz_.MID
D_major_solid_triads__latin_.MID-2
D_major_solid_triads__latin_.MID
D_major_solid_triads__rock_.MID-2
D_major_solid_triads__rock_.MID
d_minor_arpeggios.MID-2
d_minor_arpeggios.MID
d_minor_broken_triads.MID-2
d_minor_broken_triads.MID
d_minor_scale__harmonic__jazz_.MID-2
d_minor_scale__harmonic__jazz_.MID
d_minor_scale__harmonic__latin_.MID-2
d_minor_scale__harmonic__latin_.MID-3
d_minor_scale__harmonic__latin_.MID-4
d_minor_scale__harmonic__latin_.MID
d_minor_scale__harmonic__rock_.MID-2
d_minor_scale__harmonic__rock_.MID
d_minor_scale__melodic__jazz_.MID-2
d_minor_scale__melodic__jazz_.MID
d_minor_scale__melodic__latin_.MID-2
d_minor_scale__melodic__latin_.MID
d_minor_scale__melodic__rock_.MID-2
d_minor_scale__melodic__rock_.MID
d_minor_solid_triads__jazz_.MID-2
d_minor_solid_triads__jazz_.MID
d_minor_solid_triads__latin_.MID-2
d_minor_solid_triads__latin_.MID
d_minor_solid_triads__rock_.MID-2
d_minor_solid_triads__rock_.MID
e_minor_scale__harmonic__jazz_.MID-2
e_minor_scale__harmonic__jazz_.MID
e_minor_scale__harmonic__latin_.MID-2
e_minor_scale__harmonic__latin_.MID
e_minor_scale__harmonic__rock_.MID-2
e_minor_scale__harmonic__rock_.MID
e_minor_scale__melodic__jazz_.MID-2
e_minor_scale__melodic__jazz_.MID
e_minor_scale__melodic__latin_.MID-2
e_minor_scale__melodic__latin_.MID
e_minor_scale__melodic__rock_.MID-2
e_minor_scale__melodic__rock_.MID
F_chromatic_scale__jazz_.MID-2
F_chromatic_scale__jazz_.MID
F_chromatic_scale__latin_.MID-2
F_chromatic_scale__latin_.MID
F_chromatic_scale__rock_.MID-2
F_chromatic_scale__rock_.MID
F_major_arpeggios.MID
F_major_broken_triads.MID-2
F_major_broken_triads.MID
F_major_scale__jazz_.MID-2
F_major_scale__jazz_.MID
F_major_scale__latin_.MID-2
F_major_scale__latin_.MID
F_major_scale__rock_.MID-2
F_major_scale__rock_.MID
F_major_solid_triads__jazz_.MID-2
F_major_solid_triads__jazz_.MID
F_major_solid_triads__latin_.MID-2
F_major_solid_triads__latin_.MID
F_major_solid_triads__rock_.MID-2
F_major_solid_triads__rock_.MID
G_major_scale__jazz_.MID-2
G_major_scale__jazz_.MID
G_major_scale__latin_.MID-2
G_major_scale__latin_.MID
G_major_scale__rock_.MID-2
G_major_scale__rock_.MID
G_major_solid_triads__jazz_.MID-2
G_major_solid_triads__jazz_.MID
G_major_solid_triads__rock_.MID-2
G_major_solid_triads__rock_.MID

Level 9 Classical

Scales in Double Thirds Grade 9
Level 9 Classical

<a href=”http://conservatorycanada.ca/wp-content/uploads/2016/06/Scales-in-Double-Thirds-Grade-9.pdf”>Scales in Double Thirds Grade 9</a>[/x_accordion_item][/x_accordion][/cs_column][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/2″ style=”padding: 0px;”][x_accordion][x_accordion_item title=”Videos” open=”false”]Instructional Videos

The Damper Pedal- Andrew Harbridge

The Una Corda Pedal – Andrew Harbridge

The Sostenuto Pedal – Andrew Harbridge

Playing Legato Against Staccato – Andrew Harbridge

[/x_accordion_item][/x_accordion][/cs_column][/cs_row][/cs_section][cs_section parallax=”false” style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ style=”padding: 0px;”][x_accordion][x_accordion_item title=”FAQ’s” open=”false”][google-drive-embed url=”https://docs.google.com/a/conservatorycanada.ca/document/d/1u6fLkub6l-GaXDtZAbnUqA4gBO15cZNoKt1E609L1Qk/preview” title=”FAQ’s” icon=”https://ssl.gstatic.com/docs/doclist/images/icon_11_document_list.png” width=”100%” height=”400″ style=”embed”][/x_accordion_item][/x_accordion][/cs_column][/cs_row][/cs_section][/cs_content]